A ceramics studio in Neukölln, working stoneware the slow way — pinched, thrown, and fired until the clay decides how it wants to look.
Nothing perfect. & everything considered.
Every vessel here is made once. The speckle, the lean, the way a glaze pools thin at the lip — these aren't flaws to correct. They're the record of a hand and a fire. Buy the one that's yours.
See the collectionThe Vessels
The Lifetime Promise
A pot should outlive the person who bought it.
We fire to cone 10 — vitrified, dense, built for daily use, not display. But clay meets tile floors, and floors win. So if a KILN vessel ever chips, cracks, or breaks in ordinary life, send us what's left. We'll throw you another, on the wheel, for the cost of shipping. No receipt. No questions. For as long as the studio stands.
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01
Repaired, not replaced first
Small chips we mend with kintsugi — real urushi lacquer and brass. A break becomes a gold seam, and the piece is worth more for it.
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02
Remade by the same hands
If it's beyond mending, the potter who made yours makes the next. Not identical — nothing here is — but yours.
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03
Carried, not thrown away
Send back the broken pieces and we grog them down into the clay body of new work. Your first pot lives inside your second.
In the studio — Marlene Voß, founder
“I stopped trying to correct the clay. Now I just listen for where it wants to go.”Fifteen years at the wheel · Fired more than 9,000 vessels · Thrown out roughly half
Kiln Notes
New firings open first to the list.
Roughly twice a month we open the kiln and photograph what came out. Small batches, often gone in a day. The list sees them a morning before the shop does — with the story of each glaze.